Other addresses: Freeman House, 1962 Glencoe Way, Los Angeles Millard House, 645 Prospect Crescent, Pasadena and Storer House, 8161 Hollywood Blvd., Los Angeles. The marker on the map takes you to the Ennis House. They’re all worth visiting to see how Wright applied his ideas in different settings. After decades of decay, the Freeman is just beginning a restoration by its new owner. The Ennis is an imposing hilltop fortress with a Hollywood pedigree (“Bladerunner,” “The House on Haunted Hill,” etc.) the Storer is the sleek cliffside villa the Millard is the lush jungle dwelling, especially as seen from the back gate. Though built of similar materials, these houses have distinct personalities. In each case, the visual heaviness is balanced with Wright’s mastery of light and space. He stacked his blocks into monumental masses that resemble ancient Mayan temples. Wright’s idea was to democratize good design by ennobling affordable building materials. Each one is constructed of thousands of concrete cubes, many of them imprinted with a design unique to that house. in the early 1920s are like little else in architecture. The four “textile block” houses that architect Frank Lloyd Wright designed in L.A.

Docents from the Los Angeles Department of Recreation and Parks are usually there to answer questions. Wander around the bountiful gardens and imagine what it must have been like to spend time here before the 110 Freeway was constructed, just steps away.Īnd did you know this? Embedded into the window frame in the living room are negatives from photographs that Lummis took during his travels around the Southwest.Īdmission: The Lummis Home is open for free, self-guided tours from 10 a.m to 3 p.m. The floors are all concrete so that they could be easily hosed down after one of the endless parties that Lummis threw at the house (he called them “noises”). Lummis built his home by hand over a period of 15 years, with the help of a constant stream of Indigenous kids from the Isleta Pueblo in New Mexico. on foot to accept an editorship at the Los Angeles Times. Its uniqueness is a perfect reflection of its idiosyncratic first owner: Charles Lummis, a writer, photographer, Native American advocate, early preservationist and city librarian who once traveled from Cincinnati to L.A. This rustic mini-mansion made of Arroyo Seco river rock, mortar and telephone poles is an architectural oddity, a combination of Craftsman ideals, Pueblo building traditions and quirky Mission Revival features from two decades before “Mission Revival” was a thing in L.A.

Gladys baker at rockhaven